Co-Workers from FILE, Fall 1980, (For Chris + Tina) 2 Parts: Each 3 x 4 feet. Photocopy, Sintra, Oak / Acrylic Glass (PMMA), Oak. Edition of 3 + 1 AP, 2008
Fig 1: AQOTWF April 1, 2009, Epson Ultrachrome K3 Pigment Print, Rives Paper, White Washed Maple, 24 x 27 inches. Unique, 2009
For Jashin, Epson Ultrachrome K3 Pigment on Epson Exhibition Fiber: 22 x 17 inches, Lacquered Maple: 23 x 18 inches. Unique, 2008. N/A
For Robert, Epson Ultrachrome K3 Pigment on Epson Exhibition Fiber: 22 x 17 inches, Lacquered Maple: 23 x 18 inches. Unique, 2008. N/A
For John, Epson Ultrachrome K3 Pigment on Epson Exhibition Fiber: 22 x 17 inches, Lacquered Maple: 23 x 18 inches. Unique, 2008. N/A
From Klein, Yves, Jean Yves Mock, and Veronique Legrand, Yves Klein: 3 Mars-23 Mai 1983, Centre Georges Pompidou, Musee National D'art Moderne, Classiques du XXe siecle / Musee National D'art Moderne, Paris: Le Musee, 1983. 374-5. Epson Ultrachrome K3 Pigment Print, Epson Exhibition Fiber: 22 x 17 inches, White Washed Maple with PMMA: 27 x 24 inches. Edition of 3 + 1 AP, 2008.
From Remarque, Erich Maria. All Quiet on the Western Front, New York: Ballantine Books. Ed. 1984. Page 98. Photocopy / Epson Ultrachrome K3 Pigment Print, Epson Exhibition Fiber: 6 7/8 x 4 inches Lacquered Maple with PMMA: 23 x 20 1/2 inches. Edition of 3 + 1 AP, 2008.
Notes for Chaos and Creation, 1960, Offset Postcard, White Washed Maple: 24 x 27 inches. Edition of 3 + 1 AP, 2008.
Notes for Four Walls, Gouache on Arches Paper, Lacquered Maple, 22 x 26 inches. Unique, 2009
Petroleum Pictures from Canal Plastics Center, 345 Canal Street, New York, NY 10013. PMMA, All Available Colors. 96 Parts, each 8 x 10 inches // Two 16’ 2” x 8’ White Walls meet White Gallery Walls for 256 Square Feet. Unique, 2008-2009.
Sidesteps from Chaos and Creation, 1960, 11 Parts, Epson Ultrachrome K3 Pigment on Epson Exhibition Fiber: Each 22 x 17 inches, Lacquered Maple: 23 x 18 inches. Unique, 2008-2009.
Spring Street 6, May 17, 2008, Enlarged photograph of unknown elements. Digital Chromogenic Print (Kodak Ultra N): 28.75 x 39.5 inches, Treated Maple with PMMA: 29.75 x 40.5 inches. Edition 3 + 1 AP, 2008.
Untitled Conversation, IMI, May 17, 2008, Enlarged photograph of 33 small elements from Imi Knoebel's Raum 19 as they appeared at DIA Beacon on the occasion of a simultaneous performance by The Merce Cunningham Dance Company and Tacita Dean’s six-film loop installation, titled Merce Cunningham performs STILLNESS (in three movements) to John Cage’s composition 4'33” with Trevor Carlson, New York City, 28 April 2007. Digital Chromogenic Print (Kodak Ultra N): 28.75 x 39.5 inches, Treated Maple with PMMA: 29 3/4 x 40 1/2 inches. Edition of 3 + 1 AP, 2008.
Mayflowers (Tears in the Fence) curated by Scott Keightley: Temporary Art Space, 401 Broadway at Walker -- May 15 - June 6
Robert Seydel on ALL QUIET ON THE WESTERN FRONT, Hampshire College Division III Evaluation
ALL QUIET ON THE WESTERN FRONT, Hampshire College Gallery, April 1 - 2, Reception: Thursday, April 2nd, 7 - 9 PM THE SHOW
Now You See it Now You Don't, curated by Bernie Yenelouis: The Camera Club of New York -- April 23 - May 2
482 Broome Street, Egan Frantz, Jashin Friedrich, Yoyo Friedrich. Dinter Fine Art , March 17-28, 2009. Reception: Saturday, March 21, 11am - 1pm VIEW
POTLUCK SERIES: Assemblage Abstract, Dinter Fine Art, February 20-21 and 27-28, 2009. VIEW
POTLUCK SERIES: No Money in the Bank, But Plenty of Friends: Part Two, Dinter Fine Art, February 13-14, 2009.
To Spring A Leak in the Subject: Part 1 (Dinter Fine Art Project Room)
Notes for TBA
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